MichelAngeloNow
The recovered proofs 
"The silence. What a silence. I knew that everyone would be reduced to this when I reach the final stages of my public self exposition."  (Myself. Remembering 5 years of my doc film Icarus, Contemplation and Dream).
When the restoration of the Sistine Ceiling was announced, I really liked it because I was in a process of understanding the huge amount of memories of my past life. I knew that I had left a message for my future reincarnated self in the case of a reincarnation (and I had immediately understood it) but its physical proofs were too obscured by numerous factors. So I was excited to see if the little signs that I left among the figures were still there.
The first and most important sign that I had to find was the Om symbol. I wrote it near the key parts of the paintings that compose the intimate message I had left for my future reincarnated self. I did so to avoid ambiguity in the symbolic logic among the secret sketched forms. I had in mind that would be incredibly difficult for my future self (Eurico Poggi) to believe on himself as a reincarnation of Michelangelo Buonarroti, but turned out that I was wrong. I didn’t know at that time in my italian past life I was going to deal with the emotional tragedy related to Vittoria Colonna. The trauma of her murder by the Inquisition became the final proof of my identity.
Unfortunatelly, because of the restoration, my last shadows, lights and outlines are now lost forever. Nevertheless all the key signs that I would need to prove myself to others were rescued and they can be seen sharper than ever.
Celebrating 5 years of my doc film Icarus, Contemplation and Dream:
"…for everyone to live it, for everyone to see it, for everyone to believe on it,
on the reincarnated life, on the rediscovered art, of such Michelangelo, of such sir Buonarroti.”
Those words are part of a poem from 1986, on which God explained to me that my spiritual experience had to be lived in public, no matter what difficulties I would face. I turned my back to Him and said that there was no way He could force me to do such thing. It was only after seeing the destruction of my entire life, at the brink of the disaster, with nothing left to lose, when I finally bowed to Him. It was 2008. Too late for me. How stupid I was.
God bless Judaism. God bless Hinduism. God bless Buddhism. God bless those who knows the mystical Jesus, the mystical Mary and the mystical Mary Magdalene.
God bless Thomas the Apostle.
God bless The Hymn of the Pearl (Hymn of the Soul, Hymn of the Robe of Glory or Hymn of Judas Thomas the Apostle) for which my entire work on the Sistine Ceiling is dedicated.
God bless all those who believe on the Pearl inside our souls because no technology will never come close to it and I’m here to prove it.
I overcame death through my own metaphisical ideas inspired by the faiths I mentioned.
<a href=”http://truesistineceiling.blogspot.com.br/” rel=”nofollow”>truesistineceiling.blogspot.com.br/</a>
Remembering the best posts of 2013:
I never thought in my whole life that I would do what I’m doing now, but the demand from the supernatural was still inside my head, repeating over and over again, like someone whispering very close to my ears: “A physical proof, Michelangelo! Just one!”
Then I realized how paranoic I was about the secrets from my past life. So I decided to open the true identity of the prophet Daniel. And I thought to myself: “One day I will need to explain why he is the letter ‘A’ of the word ‘PERLA’ (pearl) anyway… and noone is taking me seriously… so… who cares?…”

The recovered proofs 

"The silence. What a silence. I knew that everyone would be reduced to this when I reach the final stages of my public self exposition."  (Myself. Remembering 5 years of my doc film Icarus, Contemplation and Dream).

When the restoration of the Sistine Ceiling was announced, I really liked it because I was in a process of understanding the huge amount of memories of my past life. I knew that I had left a message for my future reincarnated self in the case of a reincarnation (and I had immediately understood it) but its physical proofs were too obscured by numerous factors. So I was excited to see if the little signs that I left among the figures were still there.

The first and most important sign that I had to find was the Om symbol. I wrote it near the key parts of the paintings that compose the intimate message I had left for my future reincarnated self. I did so to avoid ambiguity in the symbolic logic among the secret sketched forms. I had in mind that would be incredibly difficult for my future self (Eurico Poggi) to believe on himself as a reincarnation of Michelangelo Buonarroti, but turned out that I was wrong. I didn’t know at that time in my italian past life I was going to deal with the emotional tragedy related to Vittoria Colonna. The trauma of her murder by the Inquisition became the final proof of my identity.

Unfortunatelly, because of the restoration, my last shadows, lights and outlines are now lost forever. Nevertheless all the key signs that I would need to prove myself to others were rescued and they can be seen sharper than ever.

Celebrating 5 years of my doc film Icarus, Contemplation and Dream:

"…for everyone to live it, for everyone to see it, for everyone to believe on it,

on the reincarnated life, on the rediscovered art, of such Michelangelo, of such sir Buonarroti.”

Those words are part of a poem from 1986, on which God explained to me that my spiritual experience had to be lived in public, no matter what difficulties I would face. I turned my back to Him and said that there was no way He could force me to do such thing. It was only after seeing the destruction of my entire life, at the brink of the disaster, with nothing left to lose, when I finally bowed to Him. It was 2008. Too late for me. How stupid I was.

God bless Judaism. God bless Hinduism. God bless Buddhism. God bless those who knows the mystical Jesus, the mystical Mary and the mystical Mary Magdalene.

God bless Thomas the Apostle.

God bless The Hymn of the Pearl (Hymn of the Soul, Hymn of the Robe of Glory or Hymn of Judas Thomas the Apostle) for which my entire work on the Sistine Ceiling is dedicated.

God bless all those who believe on the Pearl inside our souls because no technology will never come close to it and I’m here to prove it.

I overcame death through my own metaphisical ideas inspired by the faiths I mentioned.

<a href=”http://truesistineceiling.blogspot.com.br/” rel=”nofollow”>truesistineceiling.blogspot.com.br/</a>

Remembering the best posts of 2013:

I never thought in my whole life that I would do what I’m doing now, but the demand from the supernatural was still inside my head, repeating over and over again, like someone whispering very close to my ears: “A physical proof, Michelangelo! Just one!”

Then I realized how paranoic I was about the secrets from my past life. So I decided to open the true identity of the prophet Daniel. And I thought to myself: “One day I will need to explain why he is the letter ‘A’ of the word ‘PERLA’ (pearl) anyway… and noone is taking me seriously… so… who cares?…”

The lost proof
The great discussion behind the stupid restoration of the Sistine Ceiling is about my process of painting and the technique used. The &#8220;genius&#8221; who decided to erase completely every layer took for granted that I worked only on wet plaster, the so called &#8220;buon fresco&#8221;. Now the only thing left is the rethoric defense of the disaster. 
What I will never understand is why they kept the chemical process of cleaning when parts of the figures, like eyes and toes, were vanishing right in front of their eyes!!!
When the restoration was announced, I was still in my self analysis phase colecting proofs of my condition of being Michealngelo&#8217;s reincarnation. I really liked the chance to compare my personal experience to the visual results of the restoration. All the details that came to light matched perfectly with what I already knew about myself. I knew it was impossible that I had achieved such depth on the paintings only working on the wet plaster. And I LOVE to retouch details when I see a more expressive solution. It was obvious that I worked over the dry plaster, using some &#8220;a secco&#8221; technique.
Well, now I&#8217;m revealing that even the true meaning of the Sistine Ceiling was affected by the ignorants who carried out the destructive restoration. Of course there were many details of my secret agenda that I did only when I found myself alone on the scaffolding, mostly a day before the dismantling of it. So most of them were done on the dry plaster.
There are still some missing details but I can&#8217;t be sure that they disapeared because of the restoration done in the XX century. I saw some interviews with &#8220;art experts&#8221; giving their opinion about the Sistine Ceiling and I heard an old lady stating that the paintings express a &#8220;very bad theology&#8221;. I can&#8217;t remember a better example of today&#8217;s ignorance about the past events. People who don&#8217;t even know what is expressed on the Sistine Ceiling claim the right of explaining it. It only could lead to a disaster of epic proportions like the f… restoration.
But you all don&#8217;t need to worry. The paintings still have most of the secret signals that I left and I can prove myself as Michelangelo&#8217;s reincarnation any time that I want to.
References:
&lt;a href=&#8221;http://en.wikipedia.org/wiki/Restoration_of_the_Sistine_Chapel_frescoes#endnote_fnone&#8221; rel=&#8221;nofollow&#8221;&gt;en.wikipedia.org/wiki/Restoration_of_the_Sistine_Chapel_f&#8230;&lt;/a&gt;
&lt;a href=&#8221;http://truesistineceiling.blogspot.com.br/&#8221; rel=&#8221;nofollow&#8221;&gt;truesistineceiling.blogspot.com.br/&lt;/a&gt;
Remembering the best posts of 2013:
I never thought in my whole life that I would do what I&#8217;m doing now, but the demand from the supernatural was still inside my head, repeating over and over again, like someone whispering very close to my ears: &#8220;A physical proof, Michelangelo! Just one!&#8221;
Then I realized how paranoic I was about the secrets from my past life. So I decided to open the true identity of the prophet Daniel. And I thought to myself: &#8220;One day I will need to explain why he is the letter &#8216;A&#8217; of the word &#8216;PERLA&#8217; (pearl) anyway… and noone is taking me seriously… so… who cares?…&#8221;

The lost proof

The great discussion behind the stupid restoration of the Sistine Ceiling is about my process of painting and the technique used. The “genius” who decided to erase completely every layer took for granted that I worked only on wet plaster, the so called “buon fresco”. Now the only thing left is the rethoric defense of the disaster. 

What I will never understand is why they kept the chemical process of cleaning when parts of the figures, like eyes and toes, were vanishing right in front of their eyes!!!

When the restoration was announced, I was still in my self analysis phase colecting proofs of my condition of being Michealngelo’s reincarnation. I really liked the chance to compare my personal experience to the visual results of the restoration. All the details that came to light matched perfectly with what I already knew about myself. I knew it was impossible that I had achieved such depth on the paintings only working on the wet plaster. And I LOVE to retouch details when I see a more expressive solution. It was obvious that I worked over the dry plaster, using some “a secco” technique.

Well, now I’m revealing that even the true meaning of the Sistine Ceiling was affected by the ignorants who carried out the destructive restoration. Of course there were many details of my secret agenda that I did only when I found myself alone on the scaffolding, mostly a day before the dismantling of it. So most of them were done on the dry plaster.

There are still some missing details but I can’t be sure that they disapeared because of the restoration done in the XX century. I saw some interviews with “art experts” giving their opinion about the Sistine Ceiling and I heard an old lady stating that the paintings express a “very bad theology”. I can’t remember a better example of today’s ignorance about the past events. People who don’t even know what is expressed on the Sistine Ceiling claim the right of explaining it. It only could lead to a disaster of epic proportions like the f… restoration.

But you all don’t need to worry. The paintings still have most of the secret signals that I left and I can prove myself as Michelangelo’s reincarnation any time that I want to.

References:

<a href=”http://en.wikipedia.org/wiki/Restoration_of_the_Sistine_Chapel_frescoes#endnote_fnone” rel=”nofollow”>en.wikipedia.org/wiki/Restoration_of_the_Sistine_Chapel_f…</a>

<a href=”http://truesistineceiling.blogspot.com.br/” rel=”nofollow”>truesistineceiling.blogspot.com.br/</a>

Remembering the best posts of 2013:

I never thought in my whole life that I would do what I’m doing now, but the demand from the supernatural was still inside my head, repeating over and over again, like someone whispering very close to my ears: “A physical proof, Michelangelo! Just one!”

Then I realized how paranoic I was about the secrets from my past life. So I decided to open the true identity of the prophet Daniel. And I thought to myself: “One day I will need to explain why he is the letter ‘A’ of the word ‘PERLA’ (pearl) anyway… and noone is taking me seriously… so… who cares?…”

Daniel is Ardhanarishvara! - 2 
I remember reading a lot about Hindu cosmology and getting access to some pieces that merchants received from India. The skull on the head it&#8217;s a detail that I could have found described on a text as well as the phallic suggestion on the left. The statuettes that I maybe had seen could possibly be very similar to the ones I found on the web. But the illustration could be almost identical. I don&#8217;t know how I found them in the renaissance Rome under the Inquisition surveillance but some of these images make me fell like rediscovering old secret toys. =)
Ardhanarishvara marks the boundary of the higher chakras, where the male and female aspects of God are united again and the opening of the third eye takes place. 
References:
&lt;a href=&#8221;http://en.wikipedia.org/wiki/Ardhanarishvara&#8221; rel=&#8221;nofollow&#8221;&gt;en.wikipedia.org/wiki/Ardhanarishvara&lt;/a&gt;
&lt;a href=&#8221;http://en.wikipedia.org/wiki/Agya_chakra&#8221; rel=&#8221;nofollow&#8221;&gt;en.wikipedia.org/wiki/Agya_chakra&lt;/a&gt;
&lt;a href=&#8221;http://truesistineceiling.blogspot.com.br/&#8221; rel=&#8221;nofollow&#8221;&gt;truesistineceiling.blogspot.com.br/&lt;/a&gt;
Remembering the best posts of 2013:
English: I never thought in my whole life that I would do what I&#8217;m doing now, but the demand from the supernatural was still inside my head, repeating over and over again, like someone whispering very close to my ears: &#8220;A physical proof, Michelangelo! Just one!&#8221;
Then I realized how paranoic I was about the secrets from my past life. So I decided to open the true identity of the prophet Daniel. And I thought to myself: &#8220;One day I will need to explain why he is the letter &#8216;A&#8217; of the word &#8216;PERLA&#8217; (pearl) anyway… and noone is taking me seriously… so… who cares?…&#8221;

Daniel is Ardhanarishvara! - 2 

I remember reading a lot about Hindu cosmology and getting access to some pieces that merchants received from India. The skull on the head it’s a detail that I could have found described on a text as well as the phallic suggestion on the left. The statuettes that I maybe had seen could possibly be very similar to the ones I found on the web. But the illustration could be almost identical. I don’t know how I found them in the renaissance Rome under the Inquisition surveillance but some of these images make me fell like rediscovering old secret toys. =)

Ardhanarishvara marks the boundary of the higher chakras, where the male and female aspects of God are united again and the opening of the third eye takes place. 

References:

<a href=”http://en.wikipedia.org/wiki/Ardhanarishvara” rel=”nofollow”>en.wikipedia.org/wiki/Ardhanarishvara</a>

<a href=”http://en.wikipedia.org/wiki/Agya_chakra” rel=”nofollow”>en.wikipedia.org/wiki/Agya_chakra</a>

<a href=”http://truesistineceiling.blogspot.com.br/” rel=”nofollow”>truesistineceiling.blogspot.com.br/</a>

Remembering the best posts of 2013:

English: I never thought in my whole life that I would do what I’m doing now, but the demand from the supernatural was still inside my head, repeating over and over again, like someone whispering very close to my ears: “A physical proof, Michelangelo! Just one!”

Then I realized how paranoic I was about the secrets from my past life. So I decided to open the true identity of the prophet Daniel. And I thought to myself: “One day I will need to explain why he is the letter ‘A’ of the word ‘PERLA’ (pearl) anyway… and noone is taking me seriously… so… who cares?…”

Daniel is Ardhanarishvara! - 1
Here is my disguised representation for the androgynous hindu god Ardhanarishvara.
I know that is almost impossible to see the Ardhanarishvara&#8217;s iconography hidden on this figure presented as a biblical prophet, but the main features are there. Of course that I chose only those elements suitable to be depicted in very disguised way.
The first obvious aspect is the feminine gesture of the left hand. It was intended to be the most effeminate wrist position. The second, not that obvious aspect, is the assymetrical arrangment of the garb. Assymetry is the most important feature on Ardhanarishvara imagery.
The third aspect, which remained hidden for five centuries although it&#8217;s right in front of everyone&#8217;s eyes, is the one breast on the left female side. As you all know, the most popular Ardhanarishvara image is the hermaphrodite with one breast.
But the skeptical ones don&#8217;t need to be worry: I left a small sign to be used as a physical proof by my future reincarnated self (in the case of my return to Earth, as it truly happened).
In order to continue the revealing of the Sistine Ceiling, I have to advance to Ardhanarishvara (The Prophet Daniel) and the Persian Sibyl because they are key figures to close the understanding of the first half section of the Ceiling.
References:
&lt;a href=&#8221;http://en.wikipedia.org/wiki/Ardhanarishvara&#8221; rel=&#8221;nofollow&#8221;&gt;en.wikipedia.org/wiki/Ardhanarishvara&lt;/a&gt;
&lt;a href=&#8221;http://en.wikipedia.org/wiki/Agya_chakra&#8221; rel=&#8221;nofollow&#8221;&gt;en.wikipedia.org/wiki/Agya_chakra&lt;/a&gt;
&lt;a href=&#8221;http://truesistineceiling.blogspot.com.br/&#8221; rel=&#8221;nofollow&#8221;&gt;truesistineceiling.blogspot.com.br/&lt;/a&gt;

Daniel is Ardhanarishvara! - 1

Here is my disguised representation for the androgynous hindu god Ardhanarishvara.

I know that is almost impossible to see the Ardhanarishvara’s iconography hidden on this figure presented as a biblical prophet, but the main features are there. Of course that I chose only those elements suitable to be depicted in very disguised way.

The first obvious aspect is the feminine gesture of the left hand. It was intended to be the most effeminate wrist position. The second, not that obvious aspect, is the assymetrical arrangment of the garb. Assymetry is the most important feature on Ardhanarishvara imagery.

The third aspect, which remained hidden for five centuries although it’s right in front of everyone’s eyes, is the one breast on the left female side. As you all know, the most popular Ardhanarishvara image is the hermaphrodite with one breast.

But the skeptical ones don’t need to be worry: I left a small sign to be used as a physical proof by my future reincarnated self (in the case of my return to Earth, as it truly happened).

In order to continue the revealing of the Sistine Ceiling, I have to advance to Ardhanarishvara (The Prophet Daniel) and the Persian Sibyl because they are key figures to close the understanding of the first half section of the Ceiling.

References:

<a href=”http://en.wikipedia.org/wiki/Ardhanarishvara” rel=”nofollow”>en.wikipedia.org/wiki/Ardhanarishvara</a>

<a href=”http://en.wikipedia.org/wiki/Agya_chakra” rel=”nofollow”>en.wikipedia.org/wiki/Agya_chakra</a>

<a href=”http://truesistineceiling.blogspot.com.br/” rel=”nofollow”>truesistineceiling.blogspot.com.br/</a>

One more thing about The Great Flood
The little fellow between two key figures of The Great Flood and the green cloth around him are showing what the scene is all about: the sexual act as the life creation machine. Notice how the green cloth begins in front of the man&#8217;s face (carrying another woman on his back) and ends around the woman&#8217;s head, shaping a uterus with a child inside.
&lt;a href=&#8221;http://truesistineceiling.blogspot.com.br/&#8221; rel=&#8221;nofollow&#8221;&gt;truesistineceiling.blogspot.com.br/&lt;/a&gt;

One more thing about The Great Flood

The little fellow between two key figures of The Great Flood and the green cloth around him are showing what the scene is all about: the sexual act as the life creation machine. Notice how the green cloth begins in front of the man’s face (carrying another woman on his back) and ends around the woman’s head, shaping a uterus with a child inside.

<a href=”http://truesistineceiling.blogspot.com.br/” rel=”nofollow”>truesistineceiling.blogspot.com.br/</a>

The Mask 
For those who need physical proofs, here is one. Maybe this revelation will make some folks start understanding what is actually expressed on the Sistine Ceiling.
What impressed me most is to verify that everybody in different times really believed on the disguise of the paintings. Although there are among the scenes on the Ceiling tons of clues and obvious visual links suggesting other meanings, people kept publishing books and alikes with the same wrong info.
I know that people still prefer the wrong idea about the Sistine Ceiling and they are hating me about what I revealing. The catholics in particular already think it&#8217;s outrageous to see so many hindu references inside their beloved chapel.
The number of people that stopped talking to me because of my revelations is huge and the silence around me shows the rage against me.
Well, what a pity. Take note of this, you catholics and similar believers:
When I finish my schemes of the Sistine Ceiling, the name Michelangelo Buonarroti will be the most hated in the entire History by all of you. What a honor!
Soon you all will face the truth that the Sistine Chapel is entirely dedicated to the JEWS, HINDUS and ESOTERIC CHRISTIANS. There&#8217;s NO catholicism AT ALL on the scenes painted there.
Now I&#8217;m asking myself: what you catholics are going to do about it?
&lt;a href=&#8221;http://truesistineceiling.blogspot.com.br/&#8221; rel=&#8221;nofollow&#8221;&gt;truesistineceiling.blogspot.com.br/&lt;/a&gt;

The Mask 

For those who need physical proofs, here is one. Maybe this revelation will make some folks start understanding what is actually expressed on the Sistine Ceiling.

What impressed me most is to verify that everybody in different times really believed on the disguise of the paintings. Although there are among the scenes on the Ceiling tons of clues and obvious visual links suggesting other meanings, people kept publishing books and alikes with the same wrong info.

I know that people still prefer the wrong idea about the Sistine Ceiling and they are hating me about what I revealing. The catholics in particular already think it’s outrageous to see so many hindu references inside their beloved chapel.

The number of people that stopped talking to me because of my revelations is huge and the silence around me shows the rage against me.

Well, what a pity. Take note of this, you catholics and similar believers:

When I finish my schemes of the Sistine Ceiling, the name Michelangelo Buonarroti will be the most hated in the entire History by all of you. What a honor!

Soon you all will face the truth that the Sistine Chapel is entirely dedicated to the JEWS, HINDUS and ESOTERIC CHRISTIANS. There’s NO catholicism AT ALL on the scenes painted there.

Now I’m asking myself: what you catholics are going to do about it?

<a href=”http://truesistineceiling.blogspot.com.br/” rel=”nofollow”>truesistineceiling.blogspot.com.br/</a>

by now it was just thoughts… =)

=)

a 2104 similar to 2013 is enough  just to be in heaven again \o/ um 2104 semelhante a 2013 é suficiente  só para estar no céu novamente \o/

Check out “PainkillerTimelapse” (From my doc film: Icarus, Contemplation & Dream) 
Sequência “PainkillerTimelapse” (do meu documentário Ícaro, Contemplação & Sonho)